Thomas Strønen

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Norwegian drummer/composer Thomas Strønen presents a revised edition of his acoustic collective Time Is A Blind Guide, now trimmed to quintet size, and with a new pianist in Wakayama-born Ayumi Tanaka. Tanaka has spoken of seeking associative connections between Japan and Norway in her improvising, a tendency Strønen seems to be encouraging with his space-conscious writing for the ensemble, letting in more light.


As on the group’s eponymously-titled and critically-lauded debut album there are excellent contributions from the string players – the quintet effectively contains both a string trio and a piano trio – and Manfred Eicher’s production brings out all the fine detail in the grain of the collective sound and the halo of its overtones, captured in the famously-responsive acoustic of Lugano’s Auditorio Stelio Molo in March 2017.


Lucus, the second recording from Norwegian drummer/composer Thomas Strønen’s Time Is A Blind Guide, marks a bold step forward from the critically acclaimed debut (described by All About Jazz as “a stunning record that stands out as one of Stronen’s most expansive, cinematic and flat-out lyrical albums”). With the group currently trimmed to quintet size, and a new pianist in Wakayama-born Ayumi Tanaka, there is a heightened emphasis on improvisation.

“We’ve played much more,” says Strønen, “and built up a trust in the ensemble. All the players have more confidence in the shared expression of the group and, in a positive sense, less dependency on the compositions, which are offered, really, as guidelines. To me it’s important that the players should feel connected to the music and play what’s right for them.”

“When I wrote the music for the first album the sound of the group existed only in my imagination at that point, and there were a lot more notes on paper. But with the repertoire of Lucus, things are opened up. And there is more than one way to interpret these pieces: in concert, something played as a ballad one night might be a piece that simply explodes on the next night.”
Thomas Strønen has been an ECM recording artist since 2005 when the label released his album Parish, with Bobo Stenson, Fredrik Ljungkvist and Mats Eilertsen. It was followed by recordings with Food, Strønen’s duo-plus-guests project with Iain Ballamy. Food’s discs include Quiet Inlet, Mercurial Balm and This Is Not A Miracle.